Tag Archives: music

New Album Coming: The Cure for Chaos Theory

If you’ve been following us on Twitter or Facebook, you’ll already know that we’ve been working on a new album for quite a while now. If you’re a newsletter subscriber, you’ve been privilege to more information about the project than everyone else and have even heard some preview tracks.

But I think it’s high time we take the shroud off of this.

The Cure for Chaos Theory Album CoverComing in the Fall of 2013, The Cure For Chaos Theory, the latest full-length album from Psycliq. The most ambitious project by band to date, The Cure For Chaos Theory promises to be a unique musical journey through space and time. Right now there are about twenty songs written for the album, with a little over half of those in a nearly-complete state. The album is going to have three distinct “chapters” to it, exploring different musical and thematic aspects of it. We’re taking a much more heavy-electronica path on much of this album, but styles also include driving rock and subtle ambient, all mixed together like you’d expect. There will even be vocals!

I’m pretty excited about how this project is coming out, even if it is turning out to be a huge amount of production work. Much of this material has been a long time coming, but I think it’s really going to be worth the wait.

We don’t have a definite release date yet, but we’re shooting for Fall of 2013 to have it all wrapped up. Once we get things a little further along, we’ll put up a preorder page for everyone. If there’s enough interest, we could even do a short run of special-edition t-shirts and posters to go with the CD release.

Exciting times ahead, friends. Be sure to keep tuned and you may even hear a track preview in the near future…

The Mathemagician’s Remix

Five years ago, I released the very first Psycliq album on an unsuspecting public: The Mathemagician’s Riddle. While I had put together a few songs in the past, this five-song EP was the first time I had seriously sat down with a multi-track recording setup and tried to put together a collection. Even today, I can hear the learning experience I went through in these songs. But now, five years after its first release, I want you to chop it to pieces.

Some time ago, I went through the effort of bouncing out individual tracks for all songs that had been previously recorded. This was a tricky endeavor, especially for the tracks from Mathemagician, since a lot of the software that I had used to create the album no longer worked quite right. I had upgraded my computer, reinstalled my OS, upgraded software versions, and all manner of things that fought against the stasis these plugins so deeply desired. But with enough fiddling, I managed to get everything into a state where I could bounce out the audio to each track and call it a day. Needless to say, I do this immediately with any newly-recorded material now.

Therefore, I’ve decided to make the remix stems for all five songs on the Mathemagician EP available for free download to anyone who wants to use them. These stems are licensed under Creative Commons CC-BY, so go to town. I have only one condition: I want to hear your remixes! I want to know what the internet can do with a set of silly little songs that I wrote so long ago.

You can download them from Dropbox at the following links:

Happy remixing!

He Who Saw The Deep

Recently I’ve been turned on to Reddit, a kind of collaborative community news filter with a large dose of hyperspecialization sprinkled in. In any case, I stumbled across a subsection there called Game Of Bands. This section hosts a competition where musicians, vocalists, and lyricists get dropped into random teams and are given one week to create a track, from scratch.

Since I obviously didn’t already have enough to do in life, I decided that I’d throw my hat into the ring and write some music. I was looking forward to the collaboration and getting to step out of my comfort zone a bit. My team decided to build a track based on the Epic of Gilgamesh, trying to cover as much of the story as we could in a four-minute song. I got placed with some very talented team mates who really knocked their parts out of the park. As valiant as our effort was, we didn’t end up winning the competition, but overall I’m quite happy with how it came out. Here, listen for yourself:

I’m especially fond of the contrast between the electric piano and bluesy, understated guitar in the jazzy verses and the pounding drums and synths in the soaring choruses. I’ve decided to dub this genre “symphonic jazzmetal”, since I don’t know what else I could call it.

But whatever you want to call it, it’s now a free download as part of the ever-growing Mergers & Acquisitions free pseudo-album. Enjoy!

House of the Rising CD

Originally, I was going to keep House of the Rising Sun a digital-only product, since I’m continuously told that that’s the future. We’ve sold a few copies that way, sure, but something was just nagging me about it. I finally just admitted that I’m a bit of a curmudgeon and went ahead and put together a physical CD package. Here you go.

These puppies are printed up by CreateSpace, the same company that now handles all of the copies of Results Not Typical. I was pretty happy with how Results came out and decided to give them another go.  (Side note: those of you that picked up the first edition of Results now have something very, very rare, since I’m not planning on printing any more of those myself, probably ever. Wait 30 years before you put it on eBay to really drive up the value.)

Honestly, the print quality isn’t as nice or consistent as a pressed CD, but it is darned close, and there’s no minimum order. In fact, there’s no warehouse of these anywhere! CreateSpace just cranks them out as people place their orders.

So what are you waiting for? Go put them to work! You can even get it in time for Christmas if you order soon.

Speaking of Christmas, work still continues on this year’s free Christmas track, and I’m hoping that it’ll be all put together by the end of the week. It’s turning out to be quite interesting so far. I may have spilled some dubstep on it, too.

Still Alive, Approaching the Holidays

I still function! Though with the month I’ve had, that’s somewhat surprising. I did manage to get into the studio long enough to lay down some ideas on a couple of songs for the next album. I like where things are going so far, and there’s still a lot of potential to be had. I haven’t really begun recording in earnest yet, and with the holiday season soon upon us I won’t likely dive into full production mode until the new year has landed. With that in mind, I’m currently thinking I’ll be able to have the new full album in your hands sometime mid to late next year. If you want to be among the first to hear about it, sign up for the newsletter mailing list! I’ll announce behind-the-scenes plans there before anywhere else.

Speaking of the holidays, this means that it’s time to pick out this year’s Christmas song. For those of you just joining us, for the past few years I’ve taken some time away from regular music production to put my own personal touch on a Christmas classic and released it for free on the site here. I’ve already covered “Angels We Have Heard On High,” “Have Yourself A Merry Little Christmas,” “God Rest Ye Merry Gentlemen,” and last year’s “In The Bleak Midwinter.” That leaves quite a lot to choose from, and I need your help to decide what to do this year. Frontrunners are:

  • Winter Wonderland
  • Away In A Manger
  • I Heard The Bells On Christmas Day
  • Little Drummer Boy

Although I am definitely open to suggestions. Want to vote? Comment here or on Facebook, tweet at us, send an email, or dispatch a courier pigeon to a predetermined set of coordinates with your desires inscribed upon it. But however you do it, let us know what you want for Christmas from Psycliq, and we’ll do what we can to get it to you!

The Telegraph EP

Update: This album is no longer available for download.

Last week, my wife and son were out of town and I had the house to myself. I’m given to understand that this is when a poor bedraggled husband like myself is supposed to drink beer and watch Bruce Willis movies. Unfortunately for such plans, I am not a fan of beer and my wife is a fan of Bruce Willis movies and would have been upset if I’d had a marathon without her.

So what’s a man to do but hole up in the studio and record a whole new album! Ladies and gentlemen, I present The Telegraph EP.

OK, so it’s not exactly a whole new album. It’s more of an EP of cover songs. I recorded all six of these songs in straight takes with just an acoustic guitar and a vocal mic. No overdubbing, no special effects (apart from a touch of EQ and reverb to compensate for the terrible room acoustics I have here), and no fancy packaging. What you get is a raw collection of six acoustic tracks, not available anywhere else. And you can download it for FREE, right now!

But, I will admit, there’s a bit of a catch. In a world of constant availability and unexpiring archives, I wanted this little album to be something different. It was recorded on a whim with very little forethought or afterthought (or midthought at that rate), and while I want people to hear it, it’s going to vanish just as quickly as it came into being.

Starting tonight, the Telegraph EP will therefore remain available for free online for up to three weeks or fifty downloads, whichever comes first. At that point, it will takes its place in history. I don’t plan on doing any physical CD versions of it or releasing it on iTunes or anywhere else. It’s going to be a bandcamp-exclusive digital-only limited-time limited-quantity (and yet totally free) flash in the digital pan. After you’ve downloaded your copy, please tell all of your friends to grab a copy, too! Bandcamp even makes this easy with a little “share” button.

So why are you still here reading? Go download your copy today and be a part of history!

Rock Paper Armageddon

For the past couple months, I’ve been working on a Facebook game for one of my final projects in school. This game is called Rock Paper Armageddon. It’s a take on the classic game of Rock Paper Scissors with some interesting twists. You can play it for free right now! Go ahead, I’ll wait. It’s pretty fun.

So as part of this game, I wanted to make a simple but memorable soundtrack. I set out to make everything in ReNoise using a very small set of samples and only a couple of lo-fi effects to give it that nice NES-era chiptune feeling. It also greatly simplified composition, since I had a pretty limited palette to work from.

The results are now available over on the music site, and you can preview it right here:

It will probably remain a bandcamp-exclusive album, unless the game becomes a huge smash hit. In which case, I’ll put it up on iTunes, watch the royalties roll in, and retire to a private island someplace. Until that day, though, you can listen to it all for free online and download it for just a couple dollars.

Oh, and since it’s all Creative Commons licensed, you can use it in your own games!

Incoming Christmas Music

I know, I know — it’s still much too early to be thinking about the Christmas season for most people. But the truth is, if I don’t get to recording a Christmas song early, it just won’t happen before the holidays are upon us. Thus, I’ve been fighting with ProTools and Renoise today to begin tracking this year’s song, “In The Bleak Midwinter”. I’ve even got the sheet music printed out on my desk in front of me, both as a reference for when I’m recording and to remind me to finish the blasted thing. I’ve got a basic arrangement mapped out, with basic chords and drum beats, but I still have a very long way to go here. I’m hoping to be able to throw some time at it over the weekend.

Unfortunately, as implied above, my studio software has been giving me headaches over this, not wanting to sync up and throwing all kinds of cranky errors at me. I’m trying to update and patch everything that I can find, but so far I’ve only been able to get it to run in fits and starts. Funny how all of this starts happening just after the new version of Pro Tools is announced. The conspiracy theorist in me thinks that there’s got to be some kind of out-of-warranty timer going on here, plotting against me.

My goal is to have it all wrapped up by December, at which point I’ll put the Christmas album back up on the music site for download. Members of the Electric Goodies Newsletter will be getting sneak peeks and will be the first to know when the album is available again, so if you want to be in on the latest word, that’s the place to be.

One Armed Remix

In keeping with the “always expanding” corporate statement of Mergers & Acquisitions, Inc., I’ve put up a new track online, entitled One Armed Remix:

A very simple mashup between Project 86′s “One Armed Man (Play On)” and Plumb’s “Concrete”, this song is nonetheless fun and shows Project in a very, very different environment. I actually put this together way back in 2002 and just ran across it on my harddrive, but I figured it’d be a great addition to Mergers. The track also loops very nicely. Perhaps someday I’ll go back and do a more proper smash-together of this, now that I have better tools and a ton more experience with an audio editor than I did back then.

As always, downloads of this track and the whole Mergers & Acquisitions, Inc. album are completely free!

In other news, I’ll get back to finishing up track notes soon enough here.

Track Notes Vol 1.1

I’d like to take a few posts to go through some of my thoughts and notes for each of the tracks on Results Not Typical. Since the album has seventeen songs on it, it’s going to take a few posts for me to go through them all.

You might not have realized this, but each track has a narrative associated with it, and they can all be read on the music site. I’m not sure if the digital downloads contain this information anywhere, so I wanted to include them all here along with my thoughts on the tracks themselves.

Setting Out

A young boy leaves his village in search of Adventure, accompanied by his trusty sidekick. The world is a promise before them. They know not what perils and trials lie ahead, but welcome the future with great anticipation.

Like much of this album, the roots for this song are actually quite old. After having listened to Mortal’s incredible Pura album way too many times in a row, I had programmed the basic two-chord progression on my sequencer and thrown some conga drums and a noodley melody on top of it. It always felt too repetitive and sparse to do anything with, though. When I started pulling together tracks for Results, I played around with turning it into a semi-rondo, with the light ambient parts interspersed with some harder jazz/hip-hop sections in a minor blues scale. I particularly like the first drop in section with the harder drums, since it really comes out of nowhere. I’m also not entirely happy with the title of this song, but it seemed to be the best I could do.

Mettle

Strength undeniable, able to be called upon exactly when needed. Unshakable grace as life hurtles you from the top of one building to another, and the resolve needed to rise to your feet again. The fact that that for a moment there was nothing but 37 stories of empty air between you and the ground seems of little consequence.

This, I think, is my favorite track of the whole disc, and it’s certainly the closest to a “normal” Psycliq track. I think I had been playing Mirror’s Edge when I started to work out the basic melody, so thoughts of leaping into the unknown with great confidence were rattling around in my head. This started as a simple and sparse piano piece, but after I added the first synth layer to it I just kept going. Interestingly, this is made entirely with software instruments; in general, I use hardware synths to do most of the noise making.

Those Born of Kings

The throne room of the palace is immense as you seek audience with the king. Pillars, stonework, tapestries — everything carefully constructed to make you feel very, very small. But while you are always in awe of your surroundings here, you do not feel the overwhelming fear this room was intended to instill in you. And this for one simple reason: it is your living room. You belong here. And you have come to bid your father good morning.

I struggled for ages to come up with a good title for this one. Most of these titles were very bad, and I never felt they captured the sense of majesty and wonder that the music was expressing. It needed something to make this whole march business make sense, and I couldn’t get away from the idea of royalty being somehow involved. I like the final title quite a lot now. This song features the same piano-and-drum-machine aesthetic of Setting Out and several others, but the “big snare” hit sound is actually something I programmed on my microKORG using hints from this tutorial.

Amid the Stacks

The corridors of the Great Library combine into a labyrinth if incredible complexity and scale, both in the physical and ideological senses. It could take you days to walk up and down every aisle of every floor without stopping, and days more for each bound volume that beckons your attention from its place on the shelf. The world has been cataloged and ordered here, you only need look.

The first all-piano track on the album, I debated adding more to it but ultimately decided against it. There’s a moogerfooger Analogue Delay on the piano that makes for some really interesting overtones if you listen closely. This track is meant to compliment Those Born of Kings somewhat– their narratives take place in the same world, at least. The connection is obvious to me now, but didn’t occur until I’d gotten the title for the other song squared away. It’s even stranger since the roots of this song are about five years older than the other, too. The feeling here is meant to be one of getting lost in endless worlds, always with something new around each corner.

And that’s the first four down. Stay tuned for more episodes of Track Notes ™, where I’ll eventually get through the whole album. If you haven’t done so already, be sure to join the Electric Goodies mailing list!