More MicroMoorg

Posted on January 6, 2012 | 2 Comments

I got a new saw for Christmas, and I don’t mean the waveform. After a break of a few months as I figured out what I was going to do, I have been able to add another chapter to the story of my continuing efforts to mod my microKORG to look more like a MiniMoog, imparting an already awesome little synth with even more awesomeness.

As I said in the last update, I had decided on a design I was fairly sure would work as long as I could pull it off right. With measurements and plans in mind, I hit up the local hardware store and picked up some red oak stock to work with. I knew the basic design that I wanted, but I wasn’t sure how to make a strong joint between the boards. I’m a computer programmer, not a carpenter, after all. But the internet wasn’t about to let me down, and through many webpages and a handful of YouTube videos I was able to teach myself how to make something called “finger joints” which are all the rage in fancypants cabinetry. My first attempts were fairly pathetic, but after finally getting the correct router bit and clamps that were actually the right size, I started to see something with promise. Quite a few hours of work and several tries later, I had a version of the joints I thought had some promise. I clamped it up, let it dry for a couple hours, and hoped for the best.

When I came back, much to my delight, things had stuck. Not only that, but the pieces of the microKORG’s shell actually fit into it perfectly! The next day, I measured and repeated the process for the shell for the bottom section. When I finally got them all together, I was a bit shocked with how well it worked. You can see here the two main case pieces in what will be the laid-flat position, for storage and travel. Unlike other MicroMoorg mods that I’ve seen on the web, I wanted mine to be able to transform between an open playable position and a closed storage position without sacrificing usefulness or stability in either.

With the two pieces in hand, I very carefully measured and cut the piano hinge I’d bought for the project and mounted the two together. As you can see from the picture here, it actually works! You can lay it down completely flat or bring it up all the way past vertical. It feels quite solid and I think it will do very well when the whole thing’s put together.

I still have quite a long way to go on this project. Tomorrow, I’m going to be measuring and cutting the holes for the cables to pass through between the two halves. I’ve already picked up the wire to extend all of the cables, but that’s going to be a whole weekend project unto itself, at least, as I’m not really all that good at soldering. Then of course I need to build the base and finish all of the wood pieces.

I’ll be sure to keep posting progress as it’s made. Really, I can’t wait to have it put together so that I can play it again. I love this little keyboard, and I miss having it in my arsenal. It turns out that you can in fact use it without the case or keys attached, but it’s somehow not quite the same.

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Winter Wonderland

Posted on December 11, 2011 | Leave a comment

Update: And once again, it’s gone into the vault. Listen again next Christmas!

It’s the holiday season, and that means that once again we’re releasing a free Christmas album, Light The Tree For Some Holiday Cheer. You can download it right now, totally for free, from our music website! You can also listen to the whole thing on line, also completely for free.

As we’ve done for the past few years, there’s a brand new track this year that’s been added to the album. This time around, it’s a very unique take on the classic “Winter Wonderland”, with a bit of an apocalyptic twist to it. I don’t want to spoil it for those who haven’t heard it yet, but I will say that it’s been getting good reviews from fans so far. I even put together a YouTube video for the track to make it even easier to listen to!

So check it out, download the track for free, then click that share button and tell all your friends!

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House of the Rising CD

Posted on December 3, 2011 | Leave a comment

Originally, I was going to keep House of the Rising Sun a digital-only product, since I’m continuously told that that’s the future. We’ve sold a few copies that way, sure, but something was just nagging me about it. I finally just admitted that I’m a bit of a curmudgeon and went ahead and put together a physical CD package. Here you go.

These puppies are printed up by CreateSpace, the same company that now handles all of the copies of Results Not Typical. I was pretty happy with how Results came out and decided to give them another go.  (Side note: those of you that picked up the first edition of Results now have something very, very rare, since I’m not planning on printing any more of those myself, probably ever. Wait 30 years before you put it on eBay to really drive up the value.)

Honestly, the print quality isn’t as nice or consistent as a pressed CD, but it is darned close, and there’s no minimum order. In fact, there’s no warehouse of these anywhere! CreateSpace just cranks them out as people place their orders.

So what are you waiting for? Go put them to work! You can even get it in time for Christmas if you order soon.

Speaking of Christmas, work still continues on this year’s free Christmas track, and I’m hoping that it’ll be all put together by the end of the week. It’s turning out to be quite interesting so far. I may have spilled some dubstep on it, too.

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Desert Bus

Posted on November 23, 2011 | Leave a comment

Every year for the past while, Penny Arcade has hosted a charity event called Child’s Play that gives presents to sick kids in hospitals all over the world. Being a big gamer myself, I’ve been a big supporter of this every year, trying to donate at least a couple games to the cause.

Some people do a bit more than donate a couple games though. For the past couple years, the crew of Loading Ready Run have done a marathon playing of the world’s worst video game, Desert Bus. The more people donate, the longer they have to play this horrible game. They televise it live on the web (webivise it?) so that you can partake in their torture.

I have decided that from now until the end of Desert Bus, all profits from sales at our Bandcamp music site will go straight to Desert Bus and Child’s Play. I’ve set it up so that you can donate more than the minimum price of each album, too, if you’d like. In addition, the top donor will get a copy of the ultra-rare, no-longer-available Telegraph EP. That is one sweet pig.

Go out to music.psycliq.com, get some music, and help out sick children today.

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Still Alive, Approaching the Holidays

Posted on October 26, 2011 | Leave a comment

I still function! Though with the month I’ve had, that’s somewhat surprising. I did manage to get into the studio long enough to lay down some ideas on a couple of songs for the next album. I like where things are going so far, and there’s still a lot of potential to be had. I haven’t really begun recording in earnest yet, and with the holiday season soon upon us I won’t likely dive into full production mode until the new year has landed. With that in mind, I’m currently thinking I’ll be able to have the new full album in your hands sometime mid to late next year. If you want to be among the first to hear about it, sign up for the newsletter mailing list! I’ll announce behind-the-scenes plans there before anywhere else.

Speaking of the holidays, this means that it’s time to pick out this year’s Christmas song. For those of you just joining us, for the past few years I’ve taken some time away from regular music production to put my own personal touch on a Christmas classic and released it for free on the site here. I’ve already covered “Angels We Have Heard On High,” “Have Yourself A Merry Little Christmas,” “God Rest Ye Merry Gentlemen,” and last year’s “In The Bleak Midwinter.” That leaves quite a lot to choose from, and I need your help to decide what to do this year. Frontrunners are:

  • Winter Wonderland
  • Away In A Manger
  • I Heard The Bells On Christmas Day
  • Little Drummer Boy

Although I am definitely open to suggestions. Want to vote? Comment here or on Facebook, tweet at us, send an email, or dispatch a courier pigeon to a predetermined set of coordinates with your desires inscribed upon it. But however you do it, let us know what you want for Christmas from Psycliq, and we’ll do what we can to get it to you!

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Minor MicroMoorg Project Progress

Posted on September 25, 2011 | 5 Comments

You may recall that a little while ago, I cut my venerable microKORG synthesizer in half in an attempt to build my own MicroMoorg style synth. As soon as we had it sliced apart, it became clear that putting it back together the way I wanted it was going to be a bit trickier than originally anticipated. So I just popped the guts back into the shell and kept it safe in its bag for a while longer to think about it.

Then, the other night, I had a revelation as to its construction. Initially, I’d been thinking about how to attach some plates to the open space between the two halves of the shell to hold the hinge, and then just tossing some pieces on the side for decoration. That’s when it occurred to me: by making the side pieces actually part of the structural integrity of the project, I could give the important pieces a lot more to hold on to. This seemed like it was going to be outside of my woodworking skills, so I sought professional help.

With a basic plan in mind and parts of the plastic shell in hand, I headed out to a local unfinished furniture store last night for some advice. I was hoping that they’d say something like “Oh yeah, we can just toss that right together for you!” Unfortunately for me, my little out-of-left-field project didn’t quite fit with their more pedestrian furniture building. Different lumber sizes, doesn’t quite fit into their existing jigs and frames, etc. However, I did get some good advice for how I could put the thing together myself, so I’ve got something to go on. Looks like a new miter saw and some hardwood lumber stock are in my future. Not generally two things that you associate with synthesizers, but hey, we’ll see what comes out.

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Calculating the Riddle

Posted on September 16, 2011 | Leave a comment

Way back in what feels like ancient history (but is actually just 2007), I released the first Psycliq album, an EP entitled The Mathemagician’s Riddle. Those handy with the Google can likely discern that the title itself comes from a fantastic web-based puzzle game I played some years prior called Planetarium. Specifically, one of the first puzzles in this charming game really struck my imagination well.

But what most people don’t know is that the album originally didn’t have a pronounceable or easily transcribable title at all. Instead, the odd symbol on the front of the album artwork, the schwa symbol (the upside down e) in the middle of the square-root sign, was going to be the title. The intent here was for it to be a mathematical computation on a nonmathematical symbol, sure to confuse mathematicians and linguists alike. And that was exactly the point – it was a riddle, see? I was apparently feeling rather avante-garde, or something like that. Ultimately, like many of my ideas, this was far too clever for its own good and somehow I had the good sense to have a real title for the album.

But, as you can see, I did keep the original artwork with its odd symbol, all the while thinking that my cleverness was fully intact. I laughed at my little inside joke, but that was until the other day at work when a colleague of mine, a mathematician himself, commented on the cover art, stating that it actually did have a value of about 17.52. Here’s how that works.

The schwa sign, it turns out, is based on the old Hebrew vowel symbol shva. This in turn can be spelled with the three Hebrew letters shin vav aleph. Hebrew letters apparently all have numerical values, a fact that I had learned from the movie Pi but forgot, which means that the schwa sign can be assigned a numeric value of 300 + 6 + 1, or 307. Take the square root of 307, and you get about 17.52, thus a perfectly reasonable answer to The Mathemagician’s Riddle.

Next, I’m sure someone’s going to try and execute the state machine on halt or fit a function to the graph on Results Not Typical. Nerds, stealing all my fun!

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House of the Rising Sun

Posted on September 10, 2011 | 1 Comment

After putting many hours into what was meant to be a simple cover song project, I am very glad to say that House of the Rising Sun is officially released and available for download.

Finally!

I’m not sure how many hours went into the production here over the last few months, but it’s easily one of the more complicated things I’ve done. I set out to stretch away from my comfort zone, experiment with some new software, and learn new techniques. Check, check, check, and check, more than I’d ever bargained for.

First off, this song’s just got a ton of layers going on. Many psycliq songs take a pretty straightforward rock band approach. You’ve got your drum kind of stuff, a bass instrument, a couple midrange bits to add texture, and maybe a melody up on top to carry things along. The first version of this has organ, drums, a couple guitars, bass guitar, two interlocking synths, a string pad, some sound effects, some vocals, and a solo line. And that’s just what I can remember off hand! It was quite a challenge putting all of these pieces together into something that sounded like a single song and not just a mush of noise happening. At least, I hope I accomplished that much.

Second, this was my first time around with a bunch of new versions of software, like ProTools 9, Reason 5, Amplitube 3, and others. Several of these were major upgrades with very different ways of working than what I was used to. I also had a few new tools to help the process, like the AKAI MPD18 drum pad, which works fantastic with Reason, and the nanoKontrol2, which works fantastic with Pro Tools 9. I also made an effort to master the songs a bit with TRackS3, and hope that I didn’t mangle the sound quality too badly in the process. But in doing so, I made sure to export all of the stems out to allow for remixes and the like in the future.

Third, and speaking of remixes, I simply couldn’t leave well enough alone. Once I’d basically gotten the main mix the way that I wanted it, I immediately started tweaking things around and making some experimental remixes. One of these added four additional tracks on top of the existing madness, if you can believe it.

There are four different mixes total in the single, with instrumental versions of each, bringing the grand total to eight tracks. The download also comes with a sixteen-page art booklet with illustrated lyrics, as well as a set of desktop wallpapers made out of the minimalist cover art. All in all, it’s a pretty sweet deal at only $2, if you ask me.

But you didn’t ask me, so I’m going to let you decide for yourself: go ahead and listen to it for free, right here!

If you like it, support independent music and tell your friends!

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A slice of MicroKorg

Posted on September 6, 2011 | 2 Comments

Inspired by the MicroMoorg project, I’ve decided to try and mod my own MicroKorg into a folding synthesizer. The control panel on the mK has always been a bit awkward to use, as you really do need to lean over it to read everything in the edit matrix. Plus, I thought it would just look awesome to have this little guy fold up like that.

As you can see, the first part of the project is taking the thing apart. Sorry for the terrible picture, but it’s all I have right now. Once we got everything out, we carefully measured where the components fit and found, as others have, that you can slice the chassis apart pretty cleanly between the keyboard and the editor panel. We used a dremel to make the cut, which worked fairly well except for some melting underneath the arpeggiator switches. There’s really just not much plastic there to hold things up once you cut away the bottom portion, so we’re going to have to figure out how to reinforce that when this all goes back together.

You might notice that last sentence is in the future tense.

Once we had everything apart, we tried to fit the hinges we had onto the remaining case only to discover that nothing quite fit the way we wanted it to. After mocking up a few different ideas, we decided to call it quits and put the basic unit back together. Needless to say, this was quite disappointing, but better to take this project a little bit slow and have better results than a quick hack job that nobody would be happy with. And most importantly of all, the MicroKorg needs to still work when it’s all done.

So the next step is going to be figuring out exactly how to reattach the two pieces so as to allow freedom of movement but maintain some level of structural integrity. I’ve got some ideas, but only time will tell what’s going to work in the end. We’ll be updating the blog here with progress, so stay tuned.

(I say “stay tuned” a lot, don’t I?)

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House of the Remixed Sun

Posted on August 29, 2011 | Leave a comment

First, a quick note: Have you downloaded the Telegraph EP yet? It’s a limited edition! Not many copies left and only a couple weeks to grab them!

After I basically finalized the the mix for “House of the Rising Sun” to a point I’m pretty happy with, I continued to poke at it a little bit more because I can’t leave well enough alone.

At first it started with me just cutting out some of the tracks and adding a few filters to other tracks to create a very sparse organ-driven version of the song. The regular mix is a kind of slow, loud shuffle with lots of layers happening to it, and I was looking to trim things down and open them up a lot. Of course this wasn’t good enough and I ended up routing the melody synthesizers through the organ sounds. Even so, it was nice and simple and a good exercise in remixing from existing track stems.

Then things got a little nutty. I pulled open the regular mix and swapped out the drums entirely for a much more driving march beat, something I’ve been calling a techno-stomp. I also mixed in most of the synth sounds throughout the song instead of fading them in and out. It completely changed the feel of the song, and so I swapped out the effects on the bass and guitars and a few of the other synths. I even added a flanger to the organ, just because. However, this wasn’t nearly cacophonous enough, so I added a secondary drum track, some synth bass, and some mellotron strings to fill things out.

My poor little computer was having trouble keeping up with the results, especially when I bounced out all the individual tracks, but I like how it sounds. I think it has on the order of 17 active tracks, most of theme stereo with plugins running on top. For reference, most Psycliq songs have about 5 or 6 stereo tracks, tops.

What started out as a little production exercise is going to turn into a digital single. Sometime in the next few weeks, you’ll be able to pick up “House of the Rising Sun” from all over the place with at least these three mixes, maybe more if I go even crazier.  And then it’s on to some new, original music!

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